Moonlight Sky že nekaj let navdušuje z glasbo, ki je fuzija različnih glasbenih okusov in stilov, od jazza, bluesa in world music glasbe. Vse to pa je podano z veliko mero spoštovanja do glasbene zgodovine.
Skupina se pripravlja na snemanje tretjega albuma in deluje kot akustični trio. www.moonlight-sky.com For several years now Moonlight Sky has been thrilling crowds with its fusion of musical tastes and styles, ranging from jazz to blues and world music. All this is provided with a healthy dose of respect for music history.
The group is getting ready to record its third album, and is operating as an acoustic trio.

Nervous Stompin' je sedem članska zasedba, ki igra mešanico skaja, rocksteadyja, rock'n'rolla in popa. Njihova glasba je poskočna, vesela, za melodičnost pa poskrbi ženski vokal. Nervous Stompin is a seven-member band that plays a mixture of ska, rocksteady, rock'n'roll and pop. This is upbeat, happy music with the melodic addition of female vocals. www.myspace.com/nervousstompinband

Zagotovilo za smeh in užitek. Vdovi Ljuba in Duša imata veliko skupnega: obe sta vdovi, družijo pa ju še strast do cigaret in vina, užitek ob poigravanju z ljubimci, želja po pripovedovanju zgodb iz preteklosti ter dejstvo, da nobeni od njiju ni bilo nikoli nič dokazano. Pa naj še kdo reče, da smrt ni obenem tudi novo rojstvo. Zamisel in igra: Alenka Marinič in Maja Dekleva Lapajne
Režija: Tomaž Lapajne Dekleva
Glasba: Goran Završnik
Koreografija: Gregor Kamnikar
Scenografija: Tomaž Lapajne Dekleva in Alenka Marinič
Kostumografija: Jana Čoh
Luč: Borut Canjko
Pomoč pri scenografiji: Drago Zadnikar in Martin Podrzavnik
Produkcija: Kolektiv Narobov (KUD France Prešeren) Guaranteed laughter and enjoyment. The widows Ljuba and Duša have a lot in common: both are widows, but they also share a passion for cigarettes and wine, an enjoyment of messing their lovers around, a desire to tell stories from the past and the fact that nothing has ever been proved to either of them. And just let someone say that death is not a new birth. Conceived and performed by: Alenka Marinič and Maja Dekleva Lapajne
Direction: Tomaž Lapajne Dekleva
Music: Goran Završnik
Choreography: Gregor Kamnikar
Set design: Tomaž Lapajne Dekleva and Alenka Marinič
Costume design: Jana Čoh
Lighting: Borut Canjko
Set assistants: Drago Zadnikar and Martin Podrzavnik
Production: Kolektiv Narobov (KUD France Prešeren)

TORUL je eden pionirskih producentov klubske elektronske glasbe vseh možnih stilov na naših tleh, ki je letos po več kot desetletju izdajanja povečini klubske glasbe pri evropskih založbah (kot so Force Inc, Thule Music, Low Spirit in druge) izdal vokalni alter-electro-pop album "Dark Matters". Album je nastajal počasi, saj je poleg bogate glasbene palete izvornih stilov tudi vsebinsko premišljen in ekspresionistično naravnan, lirika pa subtilno razkriva del osebnih zgodb in stanj ali komentarjev na stvari, ki jih je avtor v zadnjem času doživljal.
Zvok albuma "Dark Matters" v ničemer ni podoben slovenski produkcijski projekciji popa in rocka, temveč deluje samosvoje. Namesto ponesrečenega spominjanja na zvoke 80-ih njihove elemente Torul uporablja odkrito in z nadgradnjo, saj je bila prav takrat postavljena bolj melanholična pop melodika in prizvok. Večino vokala na albumu je prispeval M. Šedlbauer - Shedy, sodelovali pa so tudi ostali glasbeniki, med drugimi Peter Penko.
Torul bo na Trnfestu svojo koncertno izvedbo albuma predstavil v tričlanski zasedbi.
TORUL is one of the pioneering producers of club electronic music of all possible styles here in Slovenia, and this year, after more than a decade producing for the most part club music with European record companies (such as Force Inc, Thule Music and Low Spirit) they brought out the vocal alter-electro-pop album "Dark Matters". The album was put together slowly, and features alongside the rich musical range of original styles carefully considered content with an expressionist orientation, the lyrics subtly revealing part of personal stories and situations or commentaries on things experienced recently by the composer.
The sound of the album "Dark Matters" is in no way similar to the Slovenian producer projection of pop and rock, and works in its own way. Instead of delving into sorry reminiscences of 80s sounds, Torul uses elements of them openly and enhances them, for it was then that the more melancholy pop melody and texture were established. Most of the vocals on the album have been provided by M. Šedlbauer - Shedy, while other musicians contributed, including Peter Penko.
At Trnfest, Torul will perform their concert version of the album as a three-member group. www.myspace.com/torul

V drugem delu bosta Štefka in Poldka ponovno dokazali, da je starost lahko bolj zabavna, kot si ponavadi predstavljamo. Simpatični upokojenki ostajata radovedni in polni življenja. Čeprav se svet nenehno spreminja, njun vsakdanjik ostaja enak. Čas si krajšata s pogovori o aktualnih temah in čudesih, ki sta jih prebrali v dnevnem časopisju. Njuna življenja tokrat razburkajo gospodarska kriza, Marko Vozelj in nezaželen hladilnik. Vsekakor priložnost, da se z likoma še enkrat spustimo v divji krog smeha, zabave in simpatičnih problemov, ki jih na koncu vedno reši zdrava pamet in štamperle domačega šnopca.
Zasnova likov in igra : Alenka Marinič in Urška Mlakar
Scenarij: Jure Karas
Režija: Jan Zakonjšek
Glasba: Jure Karas
Kostumi: Jana Čoh
Luči: Uroš Žuraj
Tehnična pomoč: Drago Zadnikar
Produkcija: KUD France Prešeren
Koproducent: Bimbo Teater
In part two, Štefka and Poldka will again show how old age can be more fun than we usually imagine. The sweet pensioners are still curious and full of life. Although the world around them is constantly changing, their everyday life remains the same. They pass the time talking about current topics and marvels they read about in the newspapers. At this point their lives are being stirred up by the economic crisis, Marko Vozelj and an undesired refrigerator. Naturally an opportunity once again to join these characters in a wild round of laughter, fun and well-loved problems, which are ultimately always solved by common sense and a shot of home-made schnapps. Conceived and performed by: Alenka Marinič and Urška Mlakar
Script: Jure Karas
Direction: Jan Zakonjšek
Music: Jure Karas
Costumes: Jana Čoh
Lighting: Uroš Žuraj
Technical assistance: Drago Zadnikar
Produced by: KUD France Prešeren
Coproducer: Bimbo Teater

Skupina je bila ustanovljena leta 2001 v Parizu. Člani skupine so: Senegalese (pevec), Erwan et Julien (tolkalec), Brice (kitarist), Florent (bobni), Lawrance (bass). Razvili so svojo lastno identiteto, precej bolj personalizirano in zrelostno. Edinstvenost vsakega posameznika v skupini je izražena v celotni skupini. S polno mero samozavesti v glasbeni širini so prečkali meje, tako kulturne kot jezikovne. V svojo glasbo so vnesli vplive tradicionalnega blue funka, brazilskega Maracata, reggae in slum glasbe. Kakršnkoli vpliv so prenesli na svojo glasbo, Nourou predstavlja post mešanja različnih ras, svojo glasbo razvijajo dlje, kot je skoraj da mogoče iti v melodiji, ritmih in razpoloženju. Svoje skladbe igrajo v Wolofu, francoščini, fulaniju in angleščini. www.myspace.com/nouroumusic

Teater Piki je eno najvidnejših slovaških gledališč za otroke, stalen gost mnogih mednarodnih festivalov in dobitnik številnih nagrad. Lubomir Piktori in Katarina Aulitsova, diplomanta praške Akademije za gledališče in lutkovno umetnost, sta svojem značilnem komunikativnem slogu ustvarila vrsto nepozabnih predstav po svetovno znanih literarnih predlogah. Zgodba o navihani deklici Piki, ki živi brez staršev v vili Čira Čara, je polna duhovitih zapletov in mojstrsko odigranih gledaliških gigov.
Predstava je primerna za otroke od 4. let dalje in traja 40 minut. Piki Teater is one of the most prominent Slovakian children's theatres, and a long-term guest at many international festivals, having won numerous prizes. Lubomir Piktori and Katarina Aulitsova, graduates of the Prague Academy of Theatre and Puppet Art, have used their trademark communicative style to stage a range of unforgettable productions based on international literary classics. The story of the mischievous girl Pippi, who lives without her parents in the Villa Villekulla mansion, is full of amusing twists and masterfully performed theatrical gags. The performance is suitable for children aged four and older, and lasts 40 minutes. Predstavi bo sledila ustvarjalna delavnica HIŠE OTROK IN UMETNOSTI Ficko - lutka iz nogavic/ HOUSE OF CHILDREN AND ART: Ficko - stocking puppet - creative workshop.

Program:
Ptičja pesem, Pawel Prewencki (Poljska), 2
Krokodil, Kaspar Jancis (Estonija), 16'45
Mala zvezda, Robert Srebrnič (Slovenija), 5'30
Homeland, Juan de Dios Marfil Atienza (Češka, Španija), 6'25
Past, Joni Manisto, Janne Kukkonen, JP Saari, Miko Korhonen (Finska), 4'33
V deželi glav, Cederic Louis, Claude Barras (Švica, Kanada), 5'55
Se zgodi, Aneta Kyrova (Češka), 6'40
Vestern špageti, PES (ZDA), 1'45
Lisica v lisičjem gnezdu, Miha Knific (Slovenija), 5'50
Guliver, Zdenko Bašić (Hrvaška), 13'30
Gozdni impro: Kača, Aleksei Alekseev (Madžarska), 1'
Zid vzdihljajev, Dušan Kastelic (Slovenija), 4

ANTI-POP CONSORTIUM so alternativna hip hop skupina, ustanovljena leta 1997, ko so se Beans, High Priest, M. Sayyid in producent Earl Blaize spoznali v "poetry slumu" v New Yorku. Prepoznavni so po svojih angažiranih ter ostrih in politično nekorektnih besedilih, ki sledijo toku zavesti, v glasbenem smislu pa se vzgledujejo po širokem spektru sodobnih glasbenih pristopov. Dva albuma in kar nekaj singlov sp izdali pri eksperimentali hip hip založbi Dana the Automatorja "75 Ark", potem pa leta 2000 podpisali pogodbo z Warp Records. Izdaje, ki so sledile pa kažejo na njihovo inovativnost v eksperimentalni elektronski produkciji in underground hip hopu, ki jo prispevajo vsi člani skupine. Mnogi jih primerjajo z drugimi raperji, kot so Kool Keith, MF Doom in Aesop Rock. V letu 2001 so na turneji po Evropi spremljali skupino Radiohead, takoj za tem pa odšli na turnejom z DJ Shadowom. V lanskem letu se je kolektiv po nekajletni odsotnosti in ponovni združitvi članov vrnil v najboljši maniri pionirskih dneh gangsta rapa in izdal odlično sprejet album »Fluorescent Black« (Big Dada), ki ga bomo lahko v živo preverili v petek, 6. avgusta na Trnfestu! www.myspace.com/antipopny
www.bigdada.com/artist.php?id=157
Antipop Consortium are an alternative hip hop group. The group formed in 1997, when Beans, High Priest, M. Sayyid and producer Earl Blaize met at a poetry slam in New York City. They are notable for their stream-of-consciousness lyrics and musical references to contemporary composition methods. They released several tape singles and two albums primarily on Dan the Automator's experimental hip-hop label 75 Ark before being signed by Warp Records in 2000. Their releases were met with mixed reviews from the mainstream music and underground hip-hop press alike, although they are noted for their inventiveness and the experimental electronic productions contributed by all members. They were frequently compared to other rappers with unorthodox lyrics, such as Kool Keith, MF Doom and Aesop Rock. In 2001, they opened for Radiohead during the European leg of their Amnesiac tour and subsequently toured with DJ Shadow. www.myspace.com/antipopny Če bi iskali idealno rapersko peterko Prekmurja, bi zagotovo bil najlažji izbor murskosoboški kvintet Stekli psi. Ta super kolektiv zadnja tri leta razgraja po severo-vzhodu Slovenije in brez konkurence kraljuje na prestolu za zdaj še maloštevilne prekmurske raperske scene.
Stekli psi so idejni otrok obeh MC-jev, Dule in Pape, ki sta v starih prostorih MIKKa prirejala tematske delavnice/DJ-večere »Hip hop praksa« in se udeleževala neskončnih jam sessionov. Prav jam sessioni in konstantno druženje v MIKKu so botrovali na širitev dueta v organski kolektiv "boben, bas in kitara", ki so suvereno zamenjali posnete beate. Za inštrumente so tako sedli ljudje, ki jim rap glasba nikakor ni bila primarna duhovna hrana. Izhajajo namreč iz vod metala, noise rocka, post rocka in garažnega rocka. Ravno ta žanrska pestrost instrumentalistov in odprte glave obeh raperjev so zagotovilo za preko-potrebno originalnost v morju žanrske raznolikosti hiphop podlag.
V novo leto so Stekli psi štartali konkretno, saj je konec januarja izšel pri domači založbi God Bless This Mess records njihov dolgo pričakovani prvenec »Koga briga!«. Plošča je nastajala lani v prostorih beltinske Ambasade na prostoru za vaje, pod producentsko palico Pluega.
Raperska jezikovna bariera je presežena z neverjetnim tokom, brezkompromisno aktivistično držo z angažiranimi teksti o političnih igricah v kapitalizmu, pripadnosti okolju in regiji in o zagovarjanju izvornih postulatov hip-hopa brez blink-blik verižic in ostalih bedarij. To so glavne teme ob nagruvanih-heavy-bas-rhodes glasbenih podlagah. If you were looking for the ideal rapping fivesome from Prekmurje, the easiest choice would be the Murska Sobota quintet Stekli psi [Rabid Dogs]. For the last three years, this super-collective has been causing a storm across north-eastern Slovenia, and reigns unchallenged over what is still a Prekmurje rapper scene of modest numbers.
Stekli psi is the brainchild of two MCs, Dule and Pape, who staged in the old MIKK premises thematic workshops/DJ-evenings of "Hip Hop Practices", also taking part in endless jam sessions. It was in fact the jam sessions and constant getting together at MIKK that led to the expansion of the duet into an organic collective of "Drum, bass and guitar", which replaced the pre-recorded beats with authority. The instruments were in fact added by people for whom rap was in no way their primary spiritual nourishment. These are people who have come from metal, noise rock, post rock and garage rock. Precisely this diversity of genres in the instrumentalists and the open minds of the two rappers have guaranteed ultra-necessary originality in a sea of genre diversity on the hip hop foundation.
Stekli psi made a good start to the new year, bringing out at the end of January their long-awaited debut album Koga briga! [Who Cares!] on the local label God Bless This Mess records. The album was laid down last year in the premises of the Ambasada in Beltinci, in a practice room, with Pluega acting as producer.
The rapper language barrier is overcome with an unbelievable flow, an uncompromisingly activist stance with socially committed lyrics about political games in capitalism, a sense of belonging to the environment and region and advocating the original ideas of hip hop without bling-bling medallions and other nonsense. These are the main themes, accompanied by in-the-groove heavy bass-Rhodes sounds. www.myspace.com/steklipsi

Na delavnici bomo spoznali osnove stripa in poskušali ustvariti vsak svoj strip. Delavnica je primerna za otroke od 8. leta dalje. www.ljudmila.org/stripcore/andrej

Skupino Emashie sestavlja osem glasbenikov, ki prihajajo iz različnih glasbenih okolj in zato skupaj tvorijo poseben Afro soul, ki črpa navdih iz latina, afriske ritmične glasbe, funka, reggaeja in soula. Emashie igrajo na več perkusij in uporabljajo tradicionalne inštrumente iz Afrike, Brazilije in Kube. Tudi v jungle ritmih lahko v polni meri doživimo moč ritma in zmes tradicionalne afriške ritmične glasbe in funky popa, ob kateri nas zasrbijo pete in začutimo duhovno moč Afrike. The group Emashie comprises eight musicians from various musical backgrounds, and together they create a special Afro soul that draws inspiration from Latin and African rhythms, funk, reggae and soul. Emashie provides a variety of percussion sounds, playing traditional instruments from Africa, Brazil and Cuba. In the jungle rhythms you can immerse yourself in the power of the beat and the fusion of traditional African rhythmic music and funky pop, at which point your feet start moving and you sense the spiritual power of Africa. www.emashie.com

Makedonsko zasedbo Bernay's Propaganda zaznamujejo angažirana, radikalna besedila, podložena z razgibano plesno ritmiko, lahkotne kitare in fascinanten vokal Kristine Gorevske. Zasedba je zrasla na pogorišču ugledne skopske hardcore punk scene in s prvencem Happiness Machines na glasbeno sceno bivše juge prinesla veliko mero svežine v svoji diskoidni post punk zgibanki. The Macedonian group Bernay's Propaganda is marked by socially committed, radical lyrics laid down on upbeat dance rhythms and easy guitar licks, and by the fascinating vocals of Kristina Gorevska. The group rose from the ashes of the distinguished Skopje hardcore punk scene, and their debut album Happiness Machines brought to the music scene of the former Yugoslavia a large dose of freshness in its disco-like postpunk formulation. www.myspace.com/bernayspropaganda

Na Trnfestu se bo domača Impro liga predstavila s tekmovanjem Maestro Trnfesta, kjer se bodo za prestižno lovoriko najboljšega improvizatorja večera potegovali eni izmed najboljših improvizatorjev minule sezone.
Impro liga je že vse od leta 1993 ime za združenje gledaliških improvizatorjev z vse Slovenije. Predstave, ki jih uprizarjajo, so vedno inovativne in predvsem unikatne. Temelje za odigrane prizore namreč podajo gledalci s svojimi predlogi, ki jih morajo nato improvizatorji vplesti v dogajanje na odru. The local Impro liga (comedy impro league) will take to the Trnfest stage with its competition Maestro Trnfesta (Maestro of Trnfest), in which some of the best impro performers of the past season will compete for the prestigious laurel of best improviser of the evening. Ever since 1993, the Impro liga has been the byword for bringing together improvisation performers from all over Slovenia. The performances they put together are always innovative and most importantly, one of a kind. The scenes acted out are based on audience suggestions, which the improvisers must then incorporate into the action on the stage.

Fuzija etna, sevdahbluesa in sodobne tehnologije (dub, dubstep, drum&bass, reggae). Balkansko prostranstvo s svojimi naravnimi bogastvi, mešanjem različnih kultur in narodov je mnogim balkanskim, pa tudi svetovnim avtorjem, vedno služilo kot nepresahljiv izvor inspiracije za umetniško ustvarjanje glasbe, gledališča, filma, poezije in proze. Sopot, ki v staroslovanskem jeziku pomeni izvor, je od leta 2005 avtorski glasbeni projekt umetnika Petra Topalovića, ki v sodelovanju z lokalnimi in tujimi glasbeniki ustvarja fuzijo balkanske umetnosti z moderno tehnologijo. Preko jezične lirike ob vpeljavi balkanskih etno motivov in semplov narodnih instrumentov tako avtor ustvari svoj lastni, originalni stil ter pristop k množici in življenju na Balkanu. Skupina je do danes obkrožila festivale in koncertne odre širom Evrope in Balkana ter prispevala glasbo za banjaluško Narodno gledališče. V svoji diskografiji hranijo dva albuma (DuBalkan, 2007 in Equilibrium, 2009), trenutno pa pripravljajo tretjega. This is a fusion of world music, Balkan "sevdah" blues and modern technology (dub, dubstep, drum&bass and reggae). The Balkan lands, with their natural wealth and mixture of different cultures and nations, have always served countless Balkan and even world artists as an inexhaustible well of inspiration for artistic creativity in music, theatre, film, poetry and prose. Sopot, which in old Slavonic means origin, has since 2005 been the original musical project of Petar Topalović, who in collaboration with local and foreign musicians creates a fusion of Balkan art and modern technology. The garrulous lyrics, alongside Balkan ethnic motifs and samples of folk instruments, serve the artist in creating his own original style and approach to the mass of people and life in the Balkans. To date the group has appeared at festivals and concert halls across Europe and the Balkans, and has contributed music for the Banja Luka National Theatre. Their discography comprises two albums (DuBalkan, 2007 and Equilibrium, 2009), while they are currently putting together a third. Sopot is made up of:
Petar Topalović - vocals, sampler, effects,
Milan Aćimović - keyboards, vocals,
Saša Predojević - drums, percussion,
Ðurica Štula - guitar, bass. www.myspace.com/sopotproject
Sopot so:
Petar Topalović - vokali, sempler, efekti,
Milan Aćimović - klaviature, vokali,
Saša Predojević - bobni, tolkala,
Ðurica Štula - kitara, bas.
www.myspace.com/sopotproject

V pričujoči fotografski razstavi Barvita Urbana avtor na svoj način predstavlja svet slikovitih grafitov iz Južne Amerike. Prvič se je srečal s svetom barvite, strastne in temperamentne urbane kulture leta 2008, ko je v Braziliji dva meseca opravljal študijsko prakso. Na ulicah Sao Paula, Rio de Janeira in Belo Horizonta ter številnih drugih krajev, ki jih je obiskal na svojih poteh, je iskal raznovrstne grafite, ki izžarevajo svoj odsev tamkajšnje vsakdanje urbane kulture. Razstavljene fotografije brazilskih grafitov odpirajo pogled na urbanost in utrip mestne kulture na drugem koncu sveta - v deželi sambe, caipoere, karnevalov in eksotičnega utripa življenja.
In this photographic exhibition Barvita Urbana the photographer presents in his own way the world of colourful graffiti in South America. He first encountered the world of colourful, passionate and highly-charged urban culture in 2008, when he spent two months in Brazil on a practical study assignment. In the streets of Sao Paulo, Rio de Janeiro and Belo Horizonte, as well as numerous other locations that he visited on his travels, he sought out the diversity of graffiti that reflects the local everyday urban culture. The exhibited photographs of Brazilian graffiti open up a view of urban life and the pulse of city culture in another part of the world - in the land of samba, caipoeira, carnivals and an exotic tempo of life.

Mojstri stand up komedije Sašo Stare, Rok Bohinc, Dušan Tomić in Janez Usenik bodo na tradicionalno najbolj obiskanem večeru Trnfesta predstavili svoj najnovejši program. Njihovi osebni pogledi na stvari, ki se nam dogajajo vsak dan, prinašajo svež, zabaven in osvobujoč pogled - jutri bomo na vse, kar se nam bo zgodilo, gledali drugače … On this, traditionally the best attended night of Trnfest, the masters of stand up comedy Sašo Stare, Rok Bohinc, Dušan Tomić and Janez Usenik will present their new programme. Their personal angle on the things that happen to us every day, brings a fresh, entertaining and liberating view - tomorrow you will look at everything that happens to you in a different way …

režija: Janez Vajevec igrata: Sebastjan Pikl in Žiga Čamernik Ob sončnih nedeljah založnik Peter sedi na osamljeni klopici blizu primestnega bajerja in bere knjigo. Zanj je slednje ena redkih priložnosti, da se umakne iz svojega enoličnega življenja. Glede na to, da gre za ritual, ki ga Peter ponavlja praktično vsak teden, je na klop že kar nekoliko navezan. Na eno izmed nedelj pa se čisto nepričakovano pojavi večni študent Luka, ki Petra ogovori. Kljub temu, da slednjemu ni do pogovora, se zaradi vljudnosti ukloni in prisluhne Lukovi izpovedi, ki je pretresljivo iskrena. Med njima se tako splete neobičajna vez, ki se iz bežnega srečanja dveh tujcev spremeni v »nekaj več.« Njun pogovor postopoma preraste v konflikt, ki čedalje bolj eskalira. On sunny Sundays, editor Peter likes to sit on a quiet bench close to the zoo and read a book, in this way removing himself from what has become a slightly monotonous family life. Then he encounters the eternal student Luka, who needs a bit of company. He has no idea that this is a Sunday he will never forget. Direction: Janez Vajevec
Performers: Sebastjan Pikl and Žiga Čamernik
Produced by: KUD France Prešeren

Globok in iskren osebnoizpovedni kabare o ljubezni in spolnih strasteh. Kot je že verjetno znano, pretirane sreče in pompoznosti v njenem ljubezenskem življenju ni bilo, posledično tudi ne dolgotrajnih ljubezenskih zvez. Je pa več kot navdušena nad razno raznimi ljubimci, ki so bili vsi po vrsti drugačni, vendar vsak zase zelo navdušujoči, presunljivi in nadvse zanimivi. Zakaj bi jih sploh drugače imela, kajne? Ana Marija se z zabavnim, a vseeno rahlo trpkim priokusom dotakne nikoli izpete teme ljubezni in ljubimkanja, takšnih in drugačnih moških, ki vstopajo in izstopajo iz naših življenj, v kabarejski urici se spominja ljubezenskih epopej, ki mimogrede zaobjamejo še tako trdno žensko. Vse in še več o takih in drugačnih ljubimcih, ob katerih se bo vsaka dama zalotila, da je "kakšnega podobnega pa že imela" … This is an intense and sincere confessional cabaret about love and sexual passion. As is probably already clear, she has not experienced any great happiness and grandeur in her love life, and consequently no long-term love relationships either. But she is very enthusiastic about a string of various lovers, each of whom were in turn different, although each in their own way highly inspiring, heartbreaking and quite fascinating. And why would she want them any different? With an amusing, yet nonetheless slightly bitter flavour, Ana Marija touches on ever-current topics of love and love-making, this and that type of man entering and leaving our lives, and her cabaret show recalls some epics of love that can in passing take hold of even the hardest woman. All this and more about this and that type of lover, at which every woman will recognise that she has "had someone like that"…

Vse kraljestvo se je veselilo, ko sta kralj in kraljica praznovalo dolgo pričakovano rojstvo hčerke. Med mnogimi gosti sta bili tudi dobri vili, ki sta prinesli princeski darove: lepoto, prijaznost, dobroto … Nenadoma se je v svetlobi rdečega plamena pojavila nepovabljena gostja, hudobna vila in pozdravila novorojenko: "Na šestnajsti rojstni dan se bo deklica zbodla v prst in zaspala". Ubogi vili sta si zaman prizadevali, da bi urok preklicali in prišel je dan, ko je princeska dopolnila svojih šestnajt let … Zgodba o princesi, ki zaspi za 100 let, dokler je s poljubom ne prebudi princ, je med mladimi bralci še vedno zelo priljubljena. Marionetna predstava je primerna za otroke od četrtega leta dalje in traja 35 minut. Predstava je na 5. bienalu slovenskih lutkarjev dobila nagrado za dramaturško veščo uprizoritev klasične pravljice. Zgodba: Brata Grimm
Priredba in režija: Irena Rajh Kunaver
Likovna podoba: Petra Petan
Izdelava lutk: Andrej Adamek, Petra Petan
Izdelava scene: Marjan Kunaver, Petra Petan
Igra in animacija: Marjan Kunaver
Foto: Žiga Koritnik
Premiera: marec 2008 The whole kingdom is delighted when the king and queen celebrate the long-awaited birth of their daughter. The countless guests include good faires, who have brought the princess gifts: beauty, friendliness, goodness … but suddenly in a blaze of red flame appears an uninvited guest, a wicked fairy who greets the newborn thus: "On her sixteenth birthday the girl will prick her finger and fall asleep." The poor good fairies try in vain to stop the spell, and the day arrives when the princess turns sixteen… The story of the princess who sleeps for 100 years, until she is awoken by the kiss of a prince, is still very popular among young readers. This puppet performance is suitable for children aged four and older, and lasts 35 minutes. At the 5th biennial of Slovenian puppeteers, this production won a prize for skill in the stage adaptation of the classic fairy-tale. Story: Brothers Grimm
Arrangement and direction: Irena Rajh Kunaver
Design: Petra Petan
Puppet crafting: Andrej Adamek, Petra Petan
Set design: Marjan Kunaver, Petra Petan
Performance and animation: Marjan Kunaver
Photo: Žiga Koritnik
First performance: March 2008 Predstavi bo sledila ustvarjalna delavnica HIŠE OTROK IN UMETNOSTI Princeska - lutka na palici. HOUSE OF CHILDREN AND ART: Princess - puppet on a stick - creative workshop.

Miha Knific: Cloud Catcher, 15'
Jadran Sterle: Josip Broz Tito, 22'
Tugo Štiglic: Dan prve piščali [Day of the First Whistle] 30'

Izdelava pisanih mozaikov iz kamenčkov, stekelc in drugega kreativnega materiala. Delavnice se lahko udeležijo otroci vseh starosti in tudi odrasli. www.aleksandragruden.si

Združeni ustvarjalci Kolektiva Narobov, Impro lige in Gverila teatra se preizkušajo v vzdržljivosti! Ali bodo zdržali 25-urno predstavo? Začelo se bo v nedeljo, 15. 8., ob 21h na velikem zunanjem odru Trnfesta z otvoritveno predstavo in nadaljevalo v dvorani KUD France Prešeren vso noč in ves dan do ponedeljka, 16. 8., ob 21h, ko bo velika zaključna predstava na zunanjem odru. Improvizatorji bodo predstavili kolaž daljših oblik improvizacijskega gledališča ter kopico krajših impro iger, žanrsko obarvanih prizorov in improviziranih pesmi. Umetniško vodstvo: Tomaž Lapajne Dekleva in Juš Milčinski
Glasba: Goran Završnik
Nastopali bodo: Gregor Moder, Alenka Marinič, Tomaž Lapajne Dekleva, Maja Dekleva Lapajne, Juš Milčinski, Ana Marija Mitič in Jaka Šubic. The combined performers of Kolektiv Narobov, Impro liga and Gverila teater test their stamina! Will they make it through a 25-hour performance? It starts on Sunday, 15 August at 9 pm on the main outdoor stage of Trnfest with an opening show, and continues in the indoor hall of KUD France Prešeren all night and all day until 9 pm on Monday, 16 August, with a grand finale performance on the outside stage. The improvisers will present a collage of longer forms of impro theatre, as well as a mass of short impro games, genre-tinged scenes and improvised songs. Artistic direction: Tomaž Lapajne Dekleva and Juš Milčinski
Music: Goran Završnik
Performers: Gregor Moder, Alenka Marinič, Tomaž Lapajne Dekleva, Maja Dekleva Lapajne, Juš Milčinski, Ana Marija Mitič and Jaka Šubic.

Združeni ustvarjalci Kolektiva Narobov, Impro lige in Gverila teatra se preizkušajo v vzdržljivosti! Ali bodo zdržali 25-urno predstavo? Začelo se bo v nedeljo, 15. 8., ob 21h na velikem zunanjem odru Trnfesta z otvoritveno predstavo in nadaljevalo v dvorani KUD France Prešeren vso noč in ves dan do ponedeljka, 16. 8., ob 21h, ko bo velika zaključna predstava na zunanjem odru. Improvizatorji bodo predstavili kolaž daljših oblik improvizacijskega gledališča ter kopico krajših impro iger, žanrsko obarvanih prizorov in improviziranih pesmi. Umetniško vodstvo: Tomaž Lapajne Dekleva in Juš Milčinski
Glasba: Goran Završnik
Nastopali bodo: Gregor Moder, Alenka Marinič, Tomaž Lapajne Dekleva, Maja Dekleva Lapajne, Juš Milčinski, Ana Marija Mitič in Jaka Šubic. The combined performers of Kolektiv Narobov, Impro liga and Gverila teater test their stamina! Will they make it through a 25-hour performance? It starts on Sunday, 15 August at 9 pm on the main outdoor stage of Trnfest with an opening show, and continues in the indoor hall of KUD France Prešeren all night and all day until 9 pm on Monday, 16 August, with a grand finale performance on the outside stage. The improvisers will present a collage of longer forms of impro theatre, as well as a mass of short impro games, genre-tinged scenes and improvised songs. Artistic direction: Tomaž Lapajne Dekleva and Juš Milčinski
Music: Goran Završnik
Performers: Gregor Moder, Alenka Marinič, Tomaž Lapajne Dekleva, Maja Dekleva Lapajne, Juš Milčinski, Ana Marija Mitič and Jaka Šubic.

Impro maraton - 25-urna predstava se bo slovesno zaključila. Izmučeni igralci bodo spektakularno zaključili predstavo na velikem odru Trnfesta. Umetniško vodstvo: Tomaž Lapajne Dekleva in Juš Milčinski
Glasba: Goran Završnik
Nastopali bodo: Gregor Moder, Alenka Marinič, Tomaž Lapajne Dekleva, Maja Dekleva Lapajne, Juš Milčinski, Ana Marija Mitič in Jaka Šubic.
The 25-hour impro marathon will be officially concluded. The exhausted performers will put on a spectacular closing performance on the main Trnfest stage. Artistic direction: Tomaž Lapajne Dekleva and Juš Milčinski
Music: Goran Završnik
Performers: Gregor Moder, Alenka Marinič, Tomaž Lapajne Dekleva, Maja Dekleva Lapajne, Juš Milčinski, Ana Marija Mitič and Jaka Šubic.

Ona, čuti potrebo po evoluciji, skuša razumeti kaj se je zgodilo najprej, jajce ali kokoška, s humorjem in lahkostjo.On, alter ego, angel in priča, ogledalo in mediator zunanjega videza, iz dekonstrukcije k rekonstrukciji na težki poti do jasnega videnja.
Kar smo mi, lahko razdelimo na številne predalčke, skozi katere se na vsak način skušamo definirati, dobiti priznanje drugih. Radi bi odprli te predalčke, vse te vonje, zvoke, delčke časa in prostora. Ne toliko suvenirje, kot impresije. Izbrane spomine, vplivne spomine.</font> Radi bi odprli predalčke in obdržali samo tiste pomembnejše, tiste, ki smo jih postavili, da že sami po sebi opravičujejo naš bit, naš tukaj in zdaj. She, feeling the urge of evolution, to understand what came first, the egg or the hen, humorously and lightly. He, the alter ego, angel and witness, mirror and mediator of the external look, from deconstruction to reconstruction on the difficult path of clear-sightedness. And that other one she could/ should/would have been. What we are can be divided into as many boxes through which we desperately try to define ourselves, to be granted the recognition of others, to be "identified". I would like to open other boxes, those of flavours, sounds, smells, bits of time and space. Not so much souvenirs as impressions. Selective memory, affective memory.</font> We would like to open them and learn to keep the important ones, the ones that, ordered with both flair and judgement, build identity, which in itself justifies our presence, here and now.</font>

Impro ekspresija slide kitar, indijskih tabel, banja, uduja, kubanskega tresa, električne opne, loopov in samplov. Elektro akustična shizofrenija. Svobodna tradicija. Tok zvoka.
Rok Koritnik - tolkala,
Andraž Mazi - brenkala,
Luka Dekleva - video.
www.myspace.com/koriandrspace The improvised expression of slide guitars, Indian tablas, banjo, udu, Cuban shakers, electronic membranes, loops and samples. Electro-acoustic schizophrenia. Free tradition. Stream of sound.
Rok Koritnik - percussion,
Andraž Mazi - stringed instruments,
Luka Dekleva - video.
www.myspace.com/koriandrspace

STAFFAN BJÖRKLUNDS TEATER že zadnjih 30 let nastopa po Švedski. Njegove nastope lahko označimo za nastope polne humorja, lesene lutke pa za muzikalne in artistične.
Teater sproducira ode ne do dve predstavi letno. V osnovi so predstave namenjene otrokom in družinam. Teater je na švedskem zelo Poznan in subvenciconiran s strain švedskih kulturnih organov. Teater se je predstavil že na številnih mednarodnih festivalih in pridobival nagrade tako v domači državi, kot tudi v tujini. Smešna lutkovna predstava o Starcu in oslu bo kar naenkra morala pokazati vse od sebe. Potrebovali bodo pomoč, saj se bo dodo začele dogajati nenavadne reči.
Predstavo so izvedli že na številnih mednarodnih festivalih: Švedska, Danska, Srbija, Češka, Nemčija, Romunija, Poljska, Rusija in sedaj tudi v Sloveniji. The Old Man And The Donkey has been performed at international festivals in Sweden, Denmark, Serbia, Chech Republic, Germany, Romania, Poland, Russia. Nagrade: "Best Animation", "Most Comic Solo Artist", "Best Puppet Design","Best Original Creation", "Originality In The Art Of Animation" "Gold Medal For Most Beloved Puppets" "Best Family Performace".
Jezik: švedščina ali angleščina
. STAFFAN BJÖRKLUNDS TEATER has toured all over Sweden for thirty years. The perfomances are characterised by humour, musicality and by artistically formed puppets of wood. The theatre produces 1-2 new performances a year. Principally the plays are aimed at children and families. This theatre, which is well known all over Sweden, is subsidized by the Swedish cultural authorities. The theatre has taken part in a number of international theatre festivals and has been awarded various prizes abroad as well as in Sweden.
A hilarious performance about the old man and his clever donkey.
Suddenly, they will need to give it their best - because now they need help, things are starting to happen!
The Old Man And The Donkey has been performed at international festivals in Sweden, Denmark, Serbia, Chechen Republic, Germany, Romania, Poland and Russia. Awards: "Best Animation", "Most Comic Solo Artist", "Best Puppet Design", "Best Original Creation", "Originality In The Art Of Animation", "Gold Medal For Most Beloved Puppets" and "Best Family Performance".
Language: Swedish or English

Rado Jauševec: Kashmir united, 2'10"
The Making Of, 5'
Leon Modic, Gal Tič, Bor Okorn, Neža Ciuha, Klara Frančiška Kracina, Izabela Klementina Tominšek: Mali pok in veliki zaplet [Little Bang and Big Complication], 2'
Janez Marinšek: Potepuh [Vagrant], 2'33"
Dušan Kastelic: Chicory'n'Coffee, 7'45"
Koni Steinbacher, Janez Marinšek: Figov list [Fig Leaf], 5'53"
Petar Pašić: E-pigs, 15'
Dušan Kastelic: Animatorjeva animirana avtobiografija [The Animator's Animated Autobiograhy], 2'47"
Koni Steinbacher, Janez Marinšek: 99 %, 55"
Dušan Kastelic: Perk, 2'37"
Dušan Kastelic: Zid vzdihljajev [Wall of Sighs], 4'
Koni Steinbacher: A beautiful Sunday at St. Jacob's in Resnik, 5'39"

"Pank ni mrtu, sam neki čudn diši …" Natanko ob 30. obletnici ustanovitve ter po okroglih 27 letih potrpežljive odsotnosti je zdaj končno pred nami prvi (!) dolgometražni album zabavno-glasbenega ansambla Buldogi, skupine iz časov, ko je bil pank še mlad. Pa vendar, brez skrbi, ne gre zgolj še za enega od brezzobih grižljajev zamaščenih arhivov neposlušljivih posnetkov nenadarjenih bivših rokerjev v KSL (kriza srednjih let), ali pa za, bognedaj!, davno prežvečene zasluge za karsižebodi. Ne! Pred nami je namreč polnokrvni holestero(kenro)l, popolnoma iskren v vsej svoji nemoči spreminjanja stvari, pa čeprav na bolje! Če še ne veste, Buldogi so bili najstniška "punck-rock" skupina s Kodeljevega (OŠ Kette-Murn) in iz Zelene jame (OŠ Vide Pregarc), katere člani so se pri rosnih 14 letih v kleti družinske hiše v Kosovelovi ulici najprej naivno spogledovali s pubertetno uporniško držo in se v treh-štirih letih razvili v maturante z realnim, posledično pa že ciničnim pogledom na svet. Seveda je bila temu primerno taka tudi njihova muzika. In potem so odšli v JLA ter potonili v pozabo zgodovine. A glej, 27 let kasneje se iznenada - in iz najbrž nikoli povsem pojasnjenih vzgibov - zopet snidejo, se zakopljejo v svoje pičle arhive in uspejo rekonstruirati 15 pesmi iz tistega obdobja.
Na začetku leta 2009 so jim sprva namenili formo spodobnih demo posnetkov, toda sčasoma se je izkazalo, da je z nekaj dodatne pozornosti in studijske nege nastalo več kot to. Zato je zdaj tukaj plošča 'Rektospektiva 1979-82' z na novo posnetimi komadi iz tistega časa. Njen namen ni spremeniti obstoječe, temveč ohraniti neobstoječe. Pesmi na tej plošči so namreč (z eno izjemo) razporejene kronološko, od prve sploh napisane in tudi posnete v "kao" studiu RŠ (Šminkerji, 1979) do tistih zadnjih iz leta 1982, ki pa do zdaj - za razliko od večine starejših - nikjer in nikoli niso bile zabeležene, če odštejemo naključno najdeno staro kaseto z vaje, kjer je v glavnem vse škripalo do nerazumvljivosti. Ta poskus kar se da avtentične rekonstrukcije je iskreno dejanje, gre za srečanje z lastnimi začetki. Pa naj se začetek znova začne!
Blaž Grm - bobni
Janez Fifolt - bas
Rok Zupan - kitara
RV Maček - glas/kitara
Damo Zorc - glas
Franci Rainer - zvok
"Punk isn't dead, it just smells funny …" Right on the 30th anniversary of their founding, and after around 27 years of patient absence, we now finally have before us the first (!) LP from the pop group Buldogi, a group from the times when punk was still young. But no fear, this is not just another toothless titbit from the greasy archives of unlistenable recordings by talentless former rockers in their mid-life crisis, or, heaven forbid, a long sucked-dry favour for whatever. No! This is in fact full-booded cholestero(ck'n'ro)l, totally sincere in all its impotence to change things, even for the better!
In case you don't know, Buldogi were a teenage "punk-rock" group from the Ljubljana districts of Kodeljevo (Kette-Murn Primary School) and Zelena jama (Vida Pregarc Primary School), whose members, at the tender age of 14, first flirted naively in the basement of a family house in Kosovelova Street with an adolescent stance of rebellion, and in three to four years developed into school-leavers with a realistic, and consequently cynical, view of the world. Of course their music was suited to this, too. And then they went to do their Yugoslav military service, and sank into oblivion. But hey, 27 years later they have suddenly - and no doubt never for entirely clear motives - got back together, delved into their meagre archives and have managed to reconstruct 15 songs from that period.
At the beginning of 2009 they first focused on working them up into suitable demo tapes, but in time it turned out that with some extra attention and care, they had created more than that. So now we have the album "Rektospektiva 1979-82" with re-recorded songs from that time. It does not aim to change the existing, but to preserve the non-existent. The songs on this album are laid down (with one exception) chronologically, from the first song they ever wrote and recorded in a "kind of" Radio Študent studio (Šminkerji [Pretty People], 1979) to the last ones from 1982, which until now - in contrast to most of the older ones - were not recorded anywhere at any time, if we discount a randomly found old cassette from a practice, in which for the most part everything scraped and scratched unintelligibly. This attempt at as authentic a reconstruction as possible is a sincere act, involving a meeting with their own beginnings. So let the beginning begin again! Blaž Grm - drums
Janez Fifolt - bass
Rok Zupan - guitar
RV Maček - vocal/guitar
Damo Zorc - vocal
Franci Rainer - sound

Ustvarjalnica iz reciklaže bo usmerjena predvsem v oblikovanje s papirjem in tehniko kaširanja.
Naredili bomo zanimive domišljijske izdelke, poigrali pa se bomo tudi z izdelavo uporabnih predmetov.
Delavnice se lahko udeležijo otroci vseh starosti in tudi odrasli. www.aleksandragruden.si

Kaj so bistvene sestavine srečanja dveh ljudi? Ustvarjalci bodo odigrali prizor, nato pa raziskali utrinke iz življenj likov, v katerih se je pokazal vpliv tega srečanja.
Živimo iz trenutka v trenutek in se redko zavedamo kako povezani so ti trenutki. Kako vsi, prav vsi, vplivajo na nas in opredeljujejo naše reakcije v naslednjih trenutkih …
Umetniško vodstvo: Randy Dixon
Nastopajoči: Randy Dixon, Jill Farris in Paul Levy. What are the essential ingredients of a meeting between two people? The performers will act out a scene, and then explore moments from the lives of the characters, in which the impact of their meeting has been shown.
We live from moment to moment, and are rarely aware of how connected these moments are. How everyone, absolutely everyone, affects us and defines our reactions in subsequent moments …
Artistic direction: Randy Dixon
Performers: Randy Dixon, Jill Farris and Paul Levy.

Gverila je tekmovanje treh režiserjev v ustvarjanju kratkih gledaliških prizorov za Zlato Gverila značko. Občinstvo se odloča ali si je prizor zaslužil značko ali kazen. Gverila gledalcu omogoča vpogled v svet zaodrja, proces nastajanja prizora in končni rezultat. Tako jih predstava na šaljiv način popelje v svet gledališča, kar pritegne predvsem mladega gledalca.
Avtorji in igralci: Urška Boljkovac, Alja Cerar, Ana Marija Mitič, Urška Mlakar, Gašper Tesner, Nejc Simšič, Klemen Slavič, Vid Valič, Renata Vidič, Sašo Weilgoni in Goran Završnik. Gverila is a competition where three directors create short theatrical scenes and compete for the Zlata Gverila [Gold Guerrilla] badge. The audience decides whether the scene deserves a badge or a punishment. Gverila gives the audience an insight into the backstage world, the process of creating a scene and the end result. So the performance takes them in a fun way into the world of the theatre, and this attracts mainly younger audiences.
Writers and performers: Urška Boljkovac, Alja Cerar, Ana Marija Mitič, Urška Mlakar, Gašper Tesner, Nejc Simšič, Klemen Slavič, Vid Valič, Renata Vidič, Sašo Weilgoni and Goran Završnik.

Cerkljanska brass zasedba ima po več kot desetletnem delovanju za seboj ogromno število nastopov. Bili so malodane že v vsakem slovenskem kraju, še posebej zadnje čase pa vse več gostujejo tudi izven države. Med najuspešnejše invazije štejejo udeležbe na festivalih, kot so: Umbria Jazz Balkanic Windows v Beogradu, Druga Godba, Jazz Cerkno, Marezijazz, Festival Bled, Ana Desetnica, Magdalena in bombardoniranje Kina Šiške, Metelkove, Koupa festa, Rock Otočca … Trenutno sodelujejo s kantavtorjem Janijem Kovačičem. Inspiracijo iščejo predvsem v pouličnem jazzu New Orleansa, zimzelenih melodijah bivše širše domovine in destiliranih produktih iz domačega sadja. www.karces.com After more than a decade of playing, this brass band from Cerkno has notched up a huge number of performances. They have been to pretty much every town in Slovenia, and particularly recently they have been performing increasingly outside the country. Their most successful invasions include participation at festivals such as: Umbria Jazz, Balkanic Windows in Belgrade, Druga Godba, Jazz Cerkno, Marezijazz, Festival Bled, Ana Desetnica, Magdalena and invasions of Kino Šiška, Metelkova, Koupa fest and Rock Otočec. They are currently collaborating with the singer-songwriter Jani Kovačič. They seek inspiration primarily in New Orleans street jazz, the timeless melodies of the once bigger country of Yugoslavia, and in the distilled products of local fruit.

Iz Vancouvra, kanadske valilnice vrhunskih punk bendov, kot so D.O.A, SNFU, No Means No in Dayglo Abortions, prihajajo tudi keltski punkerji The Real McKenzies. Eksotična zasedba založbe Fat Wreck, ki v značilno punk glasbo vnaša prvine škotske oziroma keltske kulture, je praktično od nastanka na turneji in tudi zaradi tega slovi kot ena najboljših koncertnih skupin.

The Real McKenzies so nastali leta 1992 iz čiste zabave. Iz omar svojih staršev so privlekli kilte in dolge nogavice, ki so jih uporabili kot uniformo na svojih koncertih, na katerih so preigravali tuje komade in jih pomensko prirejali v škotsko tematiko. Z zabavo so šli še dlje in v svoje nastope vpeljali še klasičen škotski inštrument - dude. Seveda The Real McKenzies niso prvi rock bend, ki je eksperimentiral z dudami, postali pa so prvi bend, ki je v celotno sliko svoje glasbe vpeljal dude kot enakovreden inštrument kitaram in s tem začeli neverjetno popotovanje. http://www.realmckenzies.com Vancouver, Canada's incubator of top punk bands such as D.O.A, SNFU, No Means No and Dayglo Abortions, is also the home of Celtic punkers The Real McKenzies. This exotic group on the Fat Wreck label, which brought into standard punk music elements of Scottish and Celtic culture, has been on tour practically from the start, and for this reason is also famed as one of the best concert groups.

The Real McKenzies started off in 1992 just for fun. They pulled kilts and long socks out of their parents' cupboards, and used them as a uniform at their concerts, where they also played covers and gave them a Scottish arrangement. They took the fun even further, spicing up their gigs with the classic Scottish instrument, the bagpipes. Of course The Real McKenzies are not the first rock band to experiment with bagpipes, but they became the first band to bring the bagpipes into the whole picture of their music as an instrument equal to the guitar, thereby embarking on their extraordinary journey.

EMONSKA PROMENADA 2010

na Emonski cesti od Mirja do Eipprove ulice
vsak dan od 26. do 29. avgusta
od 18. do 21. ure.
Emonska ulica v Trnovem se zadnje štiri dni v avgustu spremeni v gledališče na prostem in ustvarjalno sprehajališče. Mali in veliki si lahko ogledajo okoli trideset gledaliških dogodkov iz 11 držav. Posebna pozornost je namenjena kreativnemu ustvarjanju na prostem, ki ga izvajamo s Hišo otrok in umetnosti. Posebnosti letošnje promenade so lutke na ulici, gledališče pantomime, akrobatika in umetniška tržnica. The last weekend in August Emonska street transforms into an open-air theatre and creative tour. The young and adult can experience about 30 artistic theatre events from 11 countries. Special attention is given to outdoor activities that are held by Hiša otrok in umetnosti (House of children and art). Visitors can try their artistic skills and participate in different social activities. Highlights of this year's Promenade are puppets on street, mime shows, acrobat acts and art market.

18:00 - 21:00
GUIXOT DE 8 (Katalonija) Interaktivna razstava recikliranih objektov / interactive exhibition of recycled objects
18:00 Lutkovno gledališče LABIRINT (Slo) KLOBUK GOSPODA KONSTANTINA, lutkovna predstava / puppet show
18:30 ELECTRIC CIRCUS (Nizozemska) MONO, ulična interakcija / street interaction
18:40 Lutkovna skupina DE-CI-DE-LA (Francija) PACOTILLE- lutkovna predstava / puppet show
</font> 19:20 CLAUDIO &CONSUELO (Italija) FRITATA, ulični performans/ street performance
20:00 Gledališki studio ARLEKIN (Litva) SMILE-DOT-NET, klovnada / clown show
20:40 Mladinska skupina KRIPLČKI (Slovenija) SATIRIKON - ROJSTVO NARODA, lutkovna predstava za odrasle/ puppet show for adults

Jaka Šuligoj: Vasi pod vodo [Villages Under Water], 17' Blaž Završnik: Dotik [Touch], 16'

EMONSKA PROMENADA 2010
na Emonski cesti od Mirja do Eipprove ulice
vsak dan od 26. do 29. avgusta
od 18. do 21. ure.

18:00 - 21:00
GUIXOT DE 8 (Katalonija) Interaktivna razstava recikliranih objektov / interactive exhibition of recycled objects
18:00 TEATER MATITA (Slovenija) E BE, lutkovna predstava / puppet show 18:30 TEATER MIMOTAURUS (Češka) HARONOVA LADJA NORCEV, ulićni performans / street performance 19:15 VESELKA IN NEDIALKO (Bulgarija) DUO ELEGANT SHOW, artistični performans / artistic performance 19:45 MICHAL HECHT (Češka) ZGODBE BREZ BESED, pantomimska predstava/ mime show

Ilari Niskanen, Elias Niskanen in Simeoni Juoperi so mladi in entuziastični plesalci, ki prihajajo iz Finske. So pomembni posamezniki, aktivno vključeni v finski "street" ples in pomemben del te subkulture. S tem vplivajo na učenje urbanih plesov, organizirajo hip hop dogodke in s svojimi odličnimi nastopi zastopajo svojo državo na različnih in številnih tekmovanjih in dogodkih. Ilari Niskanen, Elias Niskanen and Simeoni Juoperi are young and enthusiastic dancers from the central area of Finland. These three dancers have been strongly involved in the Finnish street dance culture and are also influencing it by teaching urban dances, organizing hip hop events and by representing their country and dance in various competitions and events.

EMONSKA PROMENADA 2010
na Emonski cesti od Mirja do Eipprove ulice
vsak dan od 26. do 29. avgusta
od 18. do 21. ure.

18:00 - 21:00
GUIXOT DE 8 (Katalonija) Interaktivna razstava recikliranih objektov / interactive exhibition of recycled objects
18:00 Pripovedno gledališče gdč. Bazilike (Slo) ČUDE(ŽE)N ZABOJ, lutkovna pravljica / fairy tale
18:30 ARNAUD DEGIMBE (Belgija) SYBELLE IN MARIO, lutkovno glasbena pravljica / puppet music story
19:00 Lutkovna skupina DE-CI-DE-LA/ (Francija) PACOTILLE, lutkovna predstava / puppet show
19:40 LOKOMOTIV (Belgija), glasbeno artistični performans / music artistic performance

EMONSKA PROMENADA 2010
na Emonski cesti od Mirja do Eipprove ulice
vsak dan od 26. do 29. avgusta
od 18. do 21. ure.

18:00 - 21:00
GUIXOT DE 8 (Katalonija) Interaktivna razstava recikliranih objektov / interactive exhibition of recycled objects
Teater CIZAMO (Slo) CIRKEC, cirkuška delavnica / circus workshop

18:00 Gledališče LUTKE ZAJEC (Slo) KOGA SE STRAH BOJI, lutkovna predstava / puppet show
18:30 MICHAL HECHT (Češka) ZGODBE BREZ BESED, pantomimska predstava / mime show
19:00 TEATER MIMOTAURUS (Češka) DLOUŠIBY, lutkovna predstava / puppet show
19:30 VESELKA IN NEDIALKO (Bulgarija) DUO ELEGANT SHOW, artistični performans / artistic performance
20:00 Gledališki studio ARLEKIN (Litva) SMILE-DOT-NET, klovnada / clown show

Angleški tisk jih je označil za najnevarnejšo skupino na svetu. Newyorški radio jih je na gostovanju po Ameriki pred leti najavil kot skupino, ki ukinja države in ustvarja nove. V Jugoslaviji so bili več let prepovedani z uradnim dekretom. V ZDA so jim v 80' letih zaradi ideološke nevarnosti zavrnili vstop v državo. Kljub temu so po severnoameriškem kontinentu izpeljali že štiri večje turneje, evropskih pa niti ne štejejo več. Od ustanovitve leta 1980 do danes je skupina imela več kot 800 koncertov po celem svetu, prodala pa je več kot milijon svojih plošč.
Glasba skupine je bila kot inspiracija uporabljena v znamenitem eksperimentalnem filmskem hitu 'Blair Witch Project', člani zasedbe so nastopili v filmu 'Full Metal Jacket' slovitega režiserja Stanleyja Kubricka, njihovo glasbo pa je med drugim moč zaslediti tudi v hollywoodskem filmskem hitu 'Spiderman I' ter v popularni ameriški televizijski nanizanki 'Alias'.
Leta 1984 je skupina soustanovila širšo, neformalno organizacijo in estetsko gibanje NSK (ki poleg Laibacha vključuje še slikarsko skupino Irwin, gledališko skupino Sester Scipiona Nasice ter Kozmokinetični kabinet Noordung, oblikovalski studio Novi kolektivizem, Oddelek za čisto in praktično filozofijo in različne podskupine). S svojimi skupnimi akcijami (Štafeta Mladosti, Krst pod Triglavom, ipd.) je združenje močno označilo osemdeseta in prvo polovico devetdesetih, tako v Sloveniji kot v bivši državi Jugoslaviji ter tudi drugje po svetu. Leta 2005 je pri ameriški založbi MIT (Massachusetts Institute of Technology), izšla knjiga o Laibachu in NSK - predelana doktorska disertacija angleškega avtorja A. Monroa, z naslovom "Interrogation Machine". The British press labelled them the most dangerous group in the world. On their tour of America a few years ago, a New York radio station announced them as a group that terminates countries and creates new ones. In Yugoslavia they were banned for several years by official decree. They were refused entry to the USA in the 80s owing to their ideological threat. Nevertheless, they have already completed four major tours of the North American continent, and have lost count of their European tours. Since their founding in 1980 to the present day, the group has performed more than 800 concerts all over the world, and has sold more than a million records.
The group's music was used as an inspiration in the well-known experimental hit film "Blair Witch Project", members of the group appeared in the film "Full Metal Jacket" by the famous director Stanley Kubrick, and their music can be heard in the Hollywood blockbuster "Spiderman I" and in the popular American television series "Alias".
In 1984 the group helped form the broader, informal organisation and aesthetic movement NSK (which alongside Laibach involves the art group Irwin, the theatre group Sester Scipiona Nasice and Kozmokinetični kabinet Noordung, the design studio Novi kolektivizem, the Department for Pure and Applied Philosophy and various subgroups). Through their joint actions (Baton of Youth, Baptism under Triglav and more) the association left a strong mark on the eighties and first half of the nineties, both in Slovenia and in the former Yugoslavia, as well as elsewhere in the world. In 2005 the American publishing house of MIT (Massachusetts Institute of Technology) published a book on Laibach and NSK. This was a rearranged doctoral thesis by the British writer A. Monroe, entitled "Interrogation Machine".